All the oil paintings of DYCK, Sir Anthony Van

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ID	Image	Painting(From A to Z)	Details
6541		Blessed Joseph Hermann g	1629 Oil on canvas, 160 x 128 cm Kunsthistorisches Museum, Vienna
24298		Charles I (mk25)	1636
6526		Charles I of England and Henrietta of France dfg	Oil on canvas Galleria Palatina (Palazzo Pitti), Florence
6518		Charles I on Horseback fg	c. 1635 Oil on canvas, 365 x 289 cm National Gallery, London
6517		Charles I: King of England at the Hunt drh	1635 Oil on canvas Mus??e du Louvre, Paris
6536		Christ on the Cross dfg	Oil on canvas Sint-Jacobskerk, Antwerp
6537		Crowning with Thorns fdg	1618-20 Oil on canvas, 223 x 196 cm Museo del Prado, Madrid
6538		Cupid and Psyche df	1639-40 Oil on canvas, 199,4 x 191,8 cm Royal Collection, Windsor
6539		Deposition gh25	1634 Oil on panel Alte Pinakothek, Munich
32292		Diana Cecil, Countess of Oxford	1638 Oil on canvas, 107 x 86 cm
32291		Equestrian Portrait of Charles I, King of England	1635-40 Oil on canvas, 123 x 85 cm
6532		Family Portrait hhte	1618-20 Oil on canvas, 113,5 x 93,5 cm The Hermitage, St. Petersburg
6540		Golgotha gjk	1630 Oil on canvas Sint-Michielskerk, Ghent
6524		Isabella Brandt dfhjj	c. 1621 Oil on canvas National Gallery of Art, Washington
6542		Jupiter and Antiope dfg	Oil on canvas, 150 x 206 cm Museum voor Schone Kunsten, Ghent
6520		Marchesa Elena Grimaldi fg	c. 1623 Oil on canvas National Gallery of Art, Washington
6550		Nicolaas Rockox dsws	Drawing Royal Collection, Windsor
6530		Porrtrait of the Sculptor Duquesnoy fgh	1627-29 Oil on canvas, 77,5 x 61 cm Mus??es Royaux des Beaux-Arts, Brussels
6521		Portrait of a Gentleman sdf	1624 Oil on canvas Alte Pinakothek, Munich
6527		Portrait of a Married Couple dfh	Oil on canvas, 112 x 131 cm Museum of Fine Arts, Budapest
6516		Portrait of a Member of the Balbi Family	c. 1625 Oil on canvas, 132,7 x 120 cm Cincinnati Art Museum, Cincinnati
6519		Portrait of a Young General dfgj	1622-27 Oil on canvas, 115,5 x 104 cm Kunsthistorisches Museum, Vienna
6531		Portrait of Father Jean-Charles della Faille, S.J. dfh	1629 Oil on canvas, 130,8 x 118,5 cm Mus??es Royaux des Beaux-Arts, Brussels
6525		Portrait of Philadelphia and Elisabeth Cary fg	1635-38 Oil on canvas, 162 x 130 cm The Hermitage, St. Petersburg
6549		Portrait of Pieter Bruegel the Younger dfg	Pen drawing Teylers Museum, Haarlem
6535		Portrait of Porzia Imperiale and Her Daughter fg	c. 1628 Oil on canvas, 184,5 x 134 cm Mus??es Royaux des Beaux-Arts, Brussels
6534		Portrait of the Artist Marten Pepijn dfg	Oil on panel, 72 x 56 cm Koninklijk Museum voor Schone Kunsten, Antwerp
6522		Self Portrait (detail) 12f	c. 1621 Oil on canvas Alte Pinakothek, Munich
6523		Self-Portrait dfgjmnh	1625-30 Oil on canvas, 116,5 x 93,5 cm The Hermitage, St. Petersburg
6529		Sir Endymion Porter and the Artist dfh	1632-41 Oil on canvas, 110 x 114 cm Museo del Prado, Madrid
6545		St George and the Dragon dfg	Oil on canvas Sint-Jacobskerk, Antwerp
6544		St Martin Dividing his Cloak f	c. 1618 Oil on panel, 171,6 x 158 cm St Martin, Zaventem
6548		St. Mary's Church at Rye, England	1634 Pen drawing Galleria degli Uffizi, Florence
6546		Studies of a Man s Head	Oil on panel, 53 x 98 cm Rockox House, Antwerp
6547		Susanna and the Elders dfg	1621-22 Oil on canvas, 194 x 144 cm Alte Pinakothek, Munich
6543		The Lamentation of Christ fg	Oil on canvas, 115 x 208 cm Koninklijk Museum voor Schone Kunsten, Antwerp
6528		The Wife and Daughter of Colyn de Nole fg	Oil on wood, 123 x 90,5 cm Alte Pinakothek, Munich
6533		Thomas Killigrew and William, Lord Croft fgjh	1638 Oil on canvas, 132,7 x 143,5 cm Royal Collection, Windsor

DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;